Whenev🙂:😶e🤔🙄r (🤭=I see L🤕
🤭a Paura I think of it ?🤤?as a🤐 co)!🤐mpa🤥*nion piece to Ey😂es W😏🤒🙄🤒🤗id@😋*e Shut, or mayb🙄🤩😒e!🤑😃 it is the😚? other w😙ay around. 🤔;😬A*😙dultery makes both f🙂😃^il🥰ms 😄😌🤤tick but😙
😶\ in,🤫 diffe😬*😔 r😘🤩^en^🤤%t ways.😚😘 I :😙🙄🤗t?😚😁😗hink 🤨 😉P🙄🤕+🤗h🤣🙃 i😍🤫l😬.lip Fre😃🤤n+ 😛😛ch was 🙂*😏right on the mone^🙂//y whe🤐\n he pointed out a Wizard of Oz thi
😷😶ng in Ku😂😬brick's last work. Like Dorothy(😍😃, Tom and😚🤗😀😅 Nicol😃😛e go%/ through fa😴,🙄 ntasies and n`!🤢😀😗ightmares and 😶😆
🤨+at 😇😍🤥 the end Dor🤑;othy's -😏😐rea😍ssu😀😉rin😗?g c🤔$😀hildish motto 🤔t#,h🤪e😒*re's n!.o pl😝😄#`a😜😑$ce like home is i🤨?\)ronically update😀d to the adult 😌😋circumsta😏😒ntia($l adag=😪[🤩🤗e t,😘🤐🤫her😛🤒]😘e's no sex l🤪/)ike marital sex-🤮?. Kubr 🥰🤨i:😪ck's-😀😃😶 ta🤗🤮+😏k😝😌%e is i🤣]😘+😅ntellectual, he never lea[🤮😝😚v]
_🤫:es the wo😏%🤮r😛😋l😙😊😅,d of🤨@😒😍 ideas t😙o touch the ground. H😅e😑😴 t🤪a😛?😔unts@🥰] th😙😑 🤪e au`dience 🙂firs😑🥰t with an  erotic movie😉 a🤔!😶🤪nd =😙
then with a😏% t😃🤗🤨hr😚😙i🤔😴ller and😝😶😚 refuses to delive😒😋😏r eithe*🤣_r o🤣
f them.🙂🤒*🙄😋 He[\ \was mar🤤[ried 🤗🤥]to his thi+rd 😄🤤😅😑wi😛😋- 😉f🤭!😬🤩🤑e for 40 😅:😃years, until🤗😋 h$e d🤕😋🤕ied. Rossellini 😗,was stil-😑😗 l marrie😄🤒🤥🙃😬d to Ingrid Ber)😚g(🙄😜m
🤨!😴@an when 😆😬he directed _La P 🥰aura;]😊) they ha😃*
d b/*e😊🙃😔😊en adulterous lovers😐#]😑 and t;heir😅🤣🤮 inf=😊idelity widely 😑😏cr 🤗,iti
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! c😜,ized🤭😴$ La Paura😏🤒🙃( is a tal😍#e 🤨# , a🤤, noirish one. The noir int*🤕?r😁😙i/🤤(g😅🥰ue is solv😅😶@😁😉ed😅🤔 and the \😊 tale has a🥰😐+ happy ending. The ci😄🙂t🥰+?🙃y]😛;😛 😔=!i😛😁(😶s  😅noir; 😝#🙄the 😍😁country is 😌 😄😍t🤥🤤
😶ale,(😏 t😝😍🙃h🤐e territo^🤤ry w😑;`;,he
😍re(%😆 chi*😂%😜ldhood is pos🤗sible. The transitio[n i#s operated 🤒in[😒 😶]😌😂the most re🤪gular w#ay by c😘ar🤒😒😉, a lon😍g-held shot taken 🤪 😬f🤤😷😗r😂🤩🤔🤢o😑 😚?🤣m🤒🙂 the fr😪🤒🤔🤤o,/;🤕😑nt of the 😐😒😷car😇; as@🤑😬*? it rides into the road, a)😑😶s if we w😔😂😬;ere e😀😐ntering 🤒😂a)? diffe🤩😙🙃😚rent d😶;😗%imen😍+🙄sion. Irene (Bergman) starts the%🤥😆😔 movie we just see a😏_ dark city lan]😃dscape bu😋🤗t he@+😪r 😜😌]v😘🤔oice-over narration ,te,/lls u🤒s 🤪@😇of her ang😋🤢st and inform😑😇s 😴us t😙hat the s🤢 tory 😪😚🥰is a flashback, hers.😇😉 B%e🤪🤗😒😒r😅🤣🙃😴gman's b🤨?🤕e🤭$🙃+ en cheating on her/ husban-😂d. 😙🤑--At fi🤤😃😪😚rst guilt is j 😶🤒😊ust 🤔🤫psych:😚😋olo🤔😝😘🤕gical🤥- t😉,orture🤫😪😚 🤢😇🤮but soon expands int😷🤐o econom$/i🤭:c blac😜😘😌kmail and th -😍😘en gro=😂[\ws %🤫😏in😁😏to so🤤🤮🤒🤑met🥰😇^😷hing else. From begin😃ning😉🤢 😘😆🤒t
🤩😋🤣🥰o end the movie 😋😔focuses on what Be🤤rg 🤭😘😅🙂man 🤔🥰f😜:😊ee🤣-🤐l😄😑🤨😇😒s?😘:, every other cha😚😷racter i😔😍s ther😗e to make he😒😅!@r😜@ fe@el somethi;🤭ng. O😛😷🤭😷n:🤥ly when !)😶😏the]🤤😄 director give😏😛🤑-s .😍(🤑away t*😇he plot before the main character can find out \@`do🤢😪😷+e🤑😄s🤣🙃, he w🤔
ant us to feel so🙃😝😋😝😒m😄😄😄😙e:😐.th😙😑🤢ing Be🤭!(r🙂🤭🙄gman st%😂[il🤔😉l can't. When she #fin🤕ds out, w🤤🥰e have already experien🙂😊ced the warped mecha😛😔-\😂nic🤐😑😗 s of the si*!tuation and🤤- 🤑🤕😙^we m^🤤🤗ay focu😔$s once :😋😀🤒a😋`$🤒gain on.🤑😷- the ?)(😍emotional imp😶😍act it has !*😴on Ber🤒🤔😗gman's Iren🙄😗😪e. 😔😑😏.In La🙂🙃😇 Pa🤗%ur\🙄]\a treasons are no:🤥t imag😇😂@😆ined but real, nigh😊😁tmares are 🤕🤤delib🤥🤨🙄e🥰😙\rate a😆🤪nd$😔 the couple's ve🤫😛😌n*+😊;om sup 🤤purates in bitt $🤔😝)er way#+🤕😊s. Ne`🤑😷`edless to sa🤔🤭😬😉y, Ingrid has ano😙😜🤑😌the,😇😶r of her 🤫😴%r😴?🤗ough rides in the😉😪!^ movi\)🥰🤕es but😜😊 Ross😀%🤑
el😄li^😚\ni😆😛 doesn't dare #🤤😃🤨🤢put h(er away 😷as he😚🤢 did i😂)😚n Europa 51,🤤_😗😑 nor  😄do🤥es 🤨= he abandon her t=😪o th)e inscru=😀😘 )table 😒😗impassi🤗]vi!🤮😇🤢ty o#😊f na🙄🤣
tur.(😄e (Str+!omboli)🤑;. 🤗[His😝😒 gift i🤢😐s le/] 😏=ss transcendent a_😪n😴d🙄=)🤫 fragile t (:han the conclusion of V😃😗=iaggio 😔🤪]i🤫n Itali😀]!a. He jus)t g😋🤣i🤔 _v=😋😙😇e!🙃😴😴s his wife a😌🤮🤣s much🤤^ of a fairy ta🤔?😅l🤣🤐)🤑e e;🥰nding a🙄😪😶s a re;🤢a/🤗l woman😄😙🤥 can😂^🤨 ha=ve, a h@,🤔uman lands😘cape ]😂where she can😇*🤔😅 fina$🤔*ll😚`😁🙂y feel a
_t ?🤔😃,ho😜😝me_😁. (🤩Ba🤔/c😬:🙃😋😙k` to the🤪^😆 count ry, a half li🤣🤫t interior scene wher😑😗🤒😘😀e 😑shadows s[uggest the c#,\omfort of s-.le,🥰ep. 😄😝$!A🤭fter a@
ll, it's🙂 🤪😜 the fairy godmother 😑🤑who spe🙃_aks the las😛 😴t 🤔😘wor🤒🤒ds (😁+in@😙🤪 🤒/😴the😐; movie.